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Gillian Ezra and Phil Moore, Deezer on how music streaming needs to change in Africa
“"Local content is very important to us...We have a very proactive approach working with good local labels and aggregators."”
Warrick Percy, Capasso on the switch to digital music and being the African mechanical rights hub
“"Digital has become CAPASSO's biggest revenue source....it's leaning 60:40 in favour of digital as we progress forward."”
Ingrid Kopp, Electric South on funding five African Virtual Reality projects
“"We did New Dimensions, which is a VR exhibition and a workshop at African Futures last year."”
Stanley Gazemba on a dark collection of short stories, Nairobi Echoes and Kenyans’ view of eBooks
“"My latest book is a collection of short stories, Nairobi Echoes and it's published by Bahati Books. We launched it in Kampala at the Writivism Festival."”
Satirist Elnathan John on his blogging audiences, freedom to speak in Nigeria and his first novel
“"Idiscovered it was easy to put up your thoughts in a blog and you didn't have to ask anyone permission."”
Gersy Ifeanyi on how Digitalback Books wants to curate deliciously diverse African e-books
“"The bottom line was I was just frustrated. We have great storytellers on the continent but if you walk into a bookshop you're hard pressed to find those gems."”
Chronicles of a Runs Girl blogger Leye Adenle on his first novel, Easy Motion Tourist
“"It came out of discussions I had with my mother and two siblings. We ended up talking about the frequency of dead bodies showing up on the Lagos-Ibadan Expressway."”
Catherine Luckhoff, NicheStreem on bringing Afrikaans music and Nigerian gospel online
“"We've reached out to over 400 (music) artists individually to explain to them who we are and what a streamming service is."”
Kudakwashe Kamupira and Barbara Njau, Bahati Books on e-publishing in Africa
“In some countries - like Nigeria with Okada Books - e-publishing and digital content is rapidly growing.”
Bakahika Bruno, Kapital Movies on a South Sudanese film about a rich man’s land grab
“Your ambition? We are looking at Kapital Movie as the Hollywood of South Sudan”
Gallo’s Tsholo Moraba on its label acquisitions and how tech is increasing royalties collection
“(Royalty collection) has gone from R250 million to R0.5 billion.”
Amil Shivji on his latest documentary film Wahenga about Tanzania’s Zilipendwa music
“Zilipendwa music is music from an era in the 1970s and 1980s...that's dying out...there's only two bands left.”
Tebogo Malope on his film For Love and Broken Bones, loneliness and the dream that started it all
“I was sleeping one night and heard this maudlin sound, a trumpet melody, that I couldn't kick out of my head.”
Takunda Bimha on the Johannesburg International Comedy Festival and his plans for it in 2016
“"We partnered with the Montreux Comedy Festival. We've been working together and I approached them with the idea...They've invested in it.”
Amaru da Costa, Soulistic Music on the digital success of Black Coffee’s album Pieces of Me
“People are not just buying CDs, it's done very well online. It's still in the Top 5 on iTunes.”
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